Auld Lang Syne

I had every intention of writing this yesterday, given the context. alas, life had other plans. Still, the second day of the new year isn’t bad.

I’m not sure if it comes across in my posts, mainly because I can’t remember what i’ve written especially after such a long time of having this blog, but i’ve known quite a bit of sadness and tragedy in my life. Grief and I are old friends and i’ve made any therapist i’ve spoken to cry with casual stories. i’m an open book, though I don’t talk about it all too much or too openly, tending to keep to my same hand full of stories in my moments of morbidity (of which there are many).

The new year always makes me feeling some sort of way that I have trouble articulating. i’ve taken to making a habit of journaling into the new year, partially as a way to help distract from the anxiety of change. (it’s just a new day, not that big of a deal. and yet.)

A few years ago I saw a video posted by John Green (of The Fault in Our Stars fame) to the youtube channel he has with his brother. He told a story of how the song Auld Lang Syne was sang during WWI by men in the trenches, but instead of the lyrics were used to, they sang, “We’re here because we’re here because we’re here because we’re here”, a sort of acknowledgement that we may not understand why, but we’re all here, in this moment, together. It’s stuck with me since I first heard this 7 ish years ago, and I think of it every new year, even so much as making it a habit to journal the words as the clock strikes midnight on the first of January.

This past December, the darkness I am so familiar with decided to show me a new level of depth. Even amongst such lovely and wonderful moments, I found myself trudging through these mental trenches, wrestling with it all any time the world around me got still or quiet enough, seeking out any moment of distraction and holding on to it as long as I could, even though often it was fleeting. While the Nutcracker and holiday seasons filled my calendar, I had to cancel a month’s worth of violin lessons. I practiced when I could, though that wasn’t often, and when my first lesson back finally approached I found myself nervous. Don’t get me wrong, I’m nervous going in to most any meeting or lesson or session, no matter how much i’m looking forward to it, but this time I was nervous about what he may throw at me, if i’d be prepared, if i’d look like an idiot or have forgotten everything he’d taught me over these six months.

Fifteen minutes before our lesson was to start, he sent me a text with a link to sheet music. I opened the text and my face immediately broke into a smile as I saw the header of the page with the songs name and it was none other than Auld Lang Syne.

Excited, I immediately started trying to figure out the notes, reading music being something I struggle with. Once I found it, I played around with the song, trying to get it as smooth as I could. When we signed on to Zoom for our lesson, he starts speaking of the theory behind certain groups of notes and traditions and calling back to the circle of fifths he’d taught me a while back, quizzing me on different elements of it. about twenty minutes in he said, “I know you probably already figured out the song, but humor me. You’re talented, and you can just find the notes and play it, but I want to teach you what it is you’re doing without knowing you’re doing it so if you ever walk into an orchestra and are asked, you can answer.”

It made me laugh. He tells me how I have natural talent and how I shouldn’t be able to do what i’m doing yet in such a short amount of time, which sort of blows my mind because i’m not used to having a natural talent at anything and also because since my brain works this way, I can’t understand how anyone’s brain could work a different way. (and consequently, I struggle to understand the theory he’s teaching me, hence the emphasis on it.)

We got to the song, and I learned I got one of the notes incorrect in my sight reading. He corrected me then we played through it a few times. at the end he showed me a certain scale, and showed how with those scales you can play nearly any Christmas carol. it was so fun and rewarding.

I have found in my darkness, that the one thing that meets me every time, the thing that sits with me in it and helps hold my hand as I find my way back toward the light is music. Music transcends time and space and will outlive us all, carrying through generations to times we’ll never know. A song that encourages someone 100 years ago can be a song that encourages me now. The same can be said for poetry, at least to me personally, but there’s something special about music.

I’ve been drawn to music my whole life, lamenting the fact that I can’t sing, being so sad when I couldn’t dance and feeling somewhat unfulfilled in my pursuit of learning ballet since I knew I wasn’t a natural for it. Still, I gave my all to it, hoping that time and dedication would get me closer to the thing my heart longed for; giving soul to music through movement. I wanted to take everything I felt and somehow give it a tangibility. Then I had to give up dancing, all hope of it being cemented when I had my back surgery. I make do with what I can do and am grateful for every opportunity I do have, but still something feels incomplete.

Then came violin.

And I was so nervous to try, so nervous when everyone told me how difficult it is to learn, seeing the looks of doubt on their faces, hearing the uncertainty in their tone when I told them I bought the violin outright instead of renting it at first. Still, the same thing that drove me to step into that ballet studio the first time, so scared I was shaking, is the very thing that drove me to reach out about lessons.

Now we’re six months in, and I find when I pick up Beulah (my violin), everything feels right. Making music with her makes me feel like everything inside is able to be made tangible. Of course, i’m only six months in, and I have a long way to go, (i’m pretty sure i’ll never get vibrato down I swear) but even just muddling through the bits i’ve worked on so far feels like each note reaches into my darkness, takes a look around, and makes friends with it. It’s not that it’s taking a broom and clearing out the cobwebs, rather it’s coming in and sitting with the pain and grief and layers, getting to know it, welcoming its company.

Imagine if I never tried. If I stayed scared and didn’t lean into it. If I let the “what if?” of it all dictate everything. I’d never have known that this is something i’m a natural at. Never have known i’m a natural at anything. I would have gone the rest of time feeling nothing more than mediocre at anything i’ve done, and hoping that the feeble attempts would be worth enough to justify continuing to pursue them.

Instead, I feel when I pick up my violin that all my attempts are finally meaning something. This is what i’ve fought for, this is what i’ve been striving for, this is what ive hoped id find in every other moment.

I wish i could learn more, progress faster. I move forward in the hope I don’t suffer any sort of set back that makes me have to give this up to. I continue in the knowledge that if something happens to cause this to become a place of grief like the times before that i’ll look back and be so grateful I did it while I could.

Gold Star

Last week I got my first “gold star” after successfully perfecting (to my teacher’s liking) Twinkle Twinkle Little Star. It wasn’t actually gold, instead it was a star that my teacher drew in my book, It wasn’t any ordinary star, either, he drew a ballerina star, with “ballerina hands”, a tutu, and a bun. Absolutely delightful.

In yesterday’s lesson, he taught me the beginnings of understanding how to conduct an orchestra. I find these little details and nuances absolutely fascinating, wanting to know every little thing about this instrument I can manage. He told me his goal is to teach me everything he knows. Bring it.

We also started working on the next song in the book, Lightly Row, which I’m trying to be diligent about actually learning how to read the music rather than just memorizing which notes come when. That can work at these beginning stages, but as I progress it will only become a disadvantage. I guess I was doing well enough on this song, making it more difficult for myself by insisting on using the A string for the E note, rather than using an open E string, but I have been struggling with the A string E note and wanted to take this opportunity to work on it. Apparently, I was getting the E note perfectly, then struggling to get the C#, which usually is opposite for people. Learning and remembering the hand shape and placement for each string and set of notes is something I’m still working on, as is setting my thumb position to have my fingers be where I need them to be, the most difficult being that E note on the A string. Staring the song with it skews the hand shape, which is another reason I wanted to work on it — figuring out all the ins and outs here at the beginning so I have a better foundation to build upon.

From there, my teacher decided to throw me a curve ball. He told me to play the open G string, open D string, then B, A, B, A, B on the A string, back to D, then G. Then he transcribed Bach’s Cello Suite No. 1 in G for the cello to the violin and had me muddle through it. He showed me what it’s supposed to sound like when you get it down perfectly, which of course I don’t have the timing or inflection yet, but when he handed me back Beulah (my violin) I was able to at least hit each of the notes properly and from there can build to the proper inflection. It blew his mind. He commented to the fact that if I see him do it, I’m able to copy it really well. I’ve always assumed I was a visual learner, as I took to American Sign Language really well (and had circumstances allowed, would have been a deaf interpreter) even using the language to study for tests as I was better able to remember the signs and interpret them than I was to remember words on a page. Having that translate to violin certainly is interesting.

He explained that if I sing the notes to myself, do, re, mi, fa, so, la, ti, do, that I’ll have better success in finding the note on the violin, knowing what it’s supposed to sound like. “Good singers make good violinists, and you’re a good singer.” This blew my mind. I’m definitely not the singer in the family, my sister has always had a natural talent for that. I remember being told I wasn’t a good singer, even having friends laugh at me when I would go flat and have no clue that I had. I became extremely embarrassed to even try, having no clue what I was supposed to sound like or afraid I’d go flat and not know it again. However, I was able to run a sound board by ear with no training, so there was a spark of hope that maybe I just needed to be shown or have things explained to me. I’ve been too timid to seek this out yet, though my violin instructor also teaches voice, so we’re sort of addressing it inadvertently. Having him say, so nonchalantly, “you’re a good singer” healed something in me.

I’m already still shocked, and sort of expecting that surely any day now he’s gonna take it back, being told I’m a natural at violin. I’ve watched shows and movies and seen the protagonist be naturally good at something and all these doors casually open for her and always thought that was completely unrealistic. However, now I find myself in a situation where it actually is real and it just still seems so fake to me. There’s no way that I have found something I’m actually a natural at. There’s no way.

Even so, this doesn’t mean I have an excuse not to work hard.

Of course, I’ll have less time to work on violin as much as I want with Nutcracker season starting up, but any little bit I can do is better than nothing through this season, and will fuel the fire of the love I have for this instrument. Progress is progress, no matter how small, and I’m grateful to have found this creative endeavor and am hoping I’m able to continue in it for years to come.

Highs and lows.

In light of keeping things real here, today was a rough day. I’ve been having some health stuff going on that’s making me nervous, seeing new doctors, could be nothing or could be big somethings and all of this is veiled in a healthy dose of past medical trauma (literally someone did a magazine write up on one of my “horror stories” a couple years back) which just sets me on edge.

With violin, i’ve had a bit of an underlying fear that i’d eventually get to a point where something doesn’t quite click and I form a mental block I can’t get past like I did with math in fourth grade. I have a brain for math, but there’s a few things that had a disconnect that I couldn’t quite communicate well enough to find a way past. (Queue the stereotype of “some of yall didn’t have your dad yelling, “WHATS SEVEN TIMES EIGHT” at the kitchen table while helping you with your math homework and it show” in all its glory, multiply it by most math teachers, it’s a good time.) So far, though, we’ve been able to work through any little hiccups we have come across and i’ve been able to carry on in my learning of this beautiful instrument. Today we got down to more theory nitty-gritty and approached another disconnect.

At first I felt it — that knot in your throat and the weight in your chest where you can feel panic on the brink. If i’m not careful, it’ll make my brain completely shut down, which is where I find I struggle to explain any disconnect in a way that helps us find a way past it. But today I was determined to not let it get the best of me. I was able to recognize it was there, take a moment to gather my thoughts in how to express what my brain was processing and where I wasn’t connecting the dots, and David was able to perfectly interpret everything into something I could understand.

Crisis averted.

What’s more, the knowledge that came out of it on the other side is what I feel to be a huge step in my growth as a violinist. Big things that are essentially stepping stones in your progress with this instrument were laid today and the possibilities from here were opened up for me like a dog going through a door that was opened and running full pelt through a meadow of wildflowers to its hearts content.

We worked more on the Interstellar main theme that we have been playing around with since the beginning, but now we’ve gone to the next step where things get faster and include more strings. It’s a huge challenge, one that is definitely above my current skill set, but one that I feel I can begin attempting. I told David, “once I get this i’m going to feel like such a badass” and I know it to be fact.

Safe to say i’m riding a violin high — one I am extremely grateful to be able to experience, especially with so many challenges in life currently. Violin has given me something even ballet wasn’t fully able to offer. Ballet filled so many holes I had in my life, and effectively losing that was a huge blow, but violin is giving me the fulfillment I have so deeply craved and then some as it’s a whole other world experiencing something to which you are naturally inclined. It’s a beautiful thing when what you’re good at and what you love doing collide, and i’m going to chase this high for the rest of my life.

Emilee and the Davettes

i’ve been meaning to post an update here for a bit, but have been a smidge nervous about it. Which, is ridiculous, I know.

I guess with most of my experience coming from beginning ballet, where my heart was in it but I had to work very hard for any single bit of progress and fight to keep it, coming into violin has been one where I apparently have natural ability.

And, putting it bluntly, that feels fake.

Surely I really don’t and we just haven’t exposed how terrible I actually am, right?

It feels as though writing too many blog posts about how wonderful this experience is and the progress I’m making, and all the lovely compliments my teacher gives me (hi, David!) will somehow jinx me and i’ll find out I was a fraud all along.

Yet, here I am, lesson…five? I think? maybe six. And i’m learning vibrato, successfully achieved it, and each time David brings me something to challenge me, I somehow rise to it and give a decent effort to it.

I keep expecting me to hit a point where I have to remind myself why I want this, that I actually love it, and that all the hard work will eventually pay off. With ballet, that was basically immediate. I struggled so much, went home and found tutors and any scrap of instruction online that could be found and muddled my way through, supported by the encouragement of my teacher and peers and sheer stubborn determination. I was never great. I would say I was mediocre, at best, but my heart was in it. And when that was taken from me with all my health stuff, the loss had an added layer since it was something I fought so hard for.

Now, i’m beginning, again, something i’d always wanted to try from childhood. The lesson started with David calling me…a word neither of us could remember by the end of the lesson. He’s going to try and look it up—adept? Accomplished? an a word basically calling me a natural. (the word was adept!) Instinct is that there’s no way he’s saying these things about me, but then when he explained what this old book he dug up told him to do in regards to students like me, it made complete sense, and by the end of the lesson he was telling me how he can see such a difference just between last lesson to this one.

I told him how I had access to my friend, Angel’s, piano, and how finding the notes on there helped me translate it to violin. I’ve never had a piano lesson. my friends took piano growing up and showed me some basics like where C is, otherwise I used what David had shown me with violin to figure out where the notes are and help me process the progression for the song we’re working on. Then, I noticed the first note sounded like the first note from Hedwig’s Theme, so I picked it out as best I could by ear, getting all but the last two notes or so of the first phrase. Apparently that’s not normal.

My dad came by the studio today to help me figure out how to get our office phone moved over since we switched which room my office is in, and after I persuaded him to pick up the guitar and play what I was learning. He obliged, and David watched as dad picked out the notes by ear of what I was playing to find it and play with me. He said, “I see where you get it from!” to which my dad quickly said, “nah, she gets it from her grandmother, my mother”. so I guess imposter syndrome runs in the family as well, haha!

it was really special having my dad play with me, even for such a small amount of time. He’s been supportive with me learning violin, even if he may have had his doubts not necessarily in me but knowing how difficult the instrument is and hoping I wouldn’t be disappointed. I think it’s a fair reaction, and one i’ve been met with from many people when I told them I was going to start learning. My dad has been supportive of my ballet, as well, coming to any show even though it’s not something he has any sort of interest in beyond the fact i’m interested in it. I really appreciate it.

I’m excited to keep practicing on the tasks David has given me. It’s most fun when we’re working together, especially because he can call me out in real time on the small things i’m not doing properly that are messing me up, so i’m able to fix them right away. I have yet to leave a violin lesson where I felt anything but on top of the world. I’m so glad I was brave enough to begin this adventure, and I can’t wait to see where it takes me.

David and I joked about getting my nephew to play cello and my sister piano so we could form a band, which he suggested we name Emilee and the Davettes.

Perfection!

stay tuned for an update if David and I remember the word.

Dad and me, while he and David were figuring out the notes on guitar.

Learning to Read (Music)

I was a bit nervous going into this week’s lesson. As I was practicing at home, the “dying cat” was let out of the bag and the sounds I was making weren’t my favorite. I still worked on it, though I wasn’t sure which notes were in the scale that I was meant to be aiming for. I knew the practice was good for my hands, building the muscle and getting used to the motions necessary for violin.

However, when my violin instructor showed up, he had these red things around his neck, and things in his pocket resembling painters sticks.

“We’re going to teach you how to read music today.”

When I tell you I was thrilled, i’m not exaggerating. I had looked ahead in my violin book and realized I was lacking in that area. This book can tell me this is Twinkle Twinkle Little Star all day long, but I couldn’t tell you how it was that song. I was also nervous to show him my dying cat skills I had seemed to develop in the last week, but knew I needed to come clean if I wanted to improve.

The red things around his neck were specialized felt used for tuning pianos. He set them out like a giant Staff. He taught me how to properly draw a treble clef, and used golf balls to teach me how to read music.

Truly, it was genius. I’m completely a visual learner, so having these little cues to guide me proved vital. I have a mathematical brain but struggled with math growing up. I could get the answers, but couldn’t tell you how I did it, because I didn’t know, and then would doubt myself or think too hard about it and mess it up. I was afraid this would happen in music as well, but when he said, “i’m going to speak to you like I do my seven year olds” and put a golf ball where the D note would be and said “this is a dog named Daryl”, I knew I would be okay.

We worked together, placing golf balls and writing out the notes on paper as well, helping me to understand note placement and effectively how to read music. I’m so excited to have the first steps of this skill and to continue to practice with it!

Once that was accomplished, we got out my violin. I confessed the dying cat had found me, and we figured out it was in my placement and also that I hold tension in my hands. Anyone who knows me will not be surprised I hold tension, as I am a tense person. He showed me the scales on the violin and I practiced a little bit, all the pieces starting to click into place.

I just finished practicing with the scales on my own and was beyond thrilled to realize I was finding the correct note first time on my own, and getting the hang of how to adjust to find it when I was a little off. The dying cat seems to be out on an adventure elsewhere, and i’m not mad about it.

I’m so happy to be learning this instrument. My heart is swelling in happiness, making this childhood dream come true. I know i’ll get frustrated and things will be hard and this will take a lot of work, but taking these first steps fill me with such unspeakable joy. These moments are few and far between these days, and i’m grateful to find any moment of it I can.

Excited to see what next week brings!

The first violin lesson.

Today was my very first violin lesson

I’d been tempted before to watch youtube videos about learning violin, or other such introductions, but always felt a little funny doing that. I felt like I needed something more hands on—needed someone to teach me in person and tell me if i’m doing something wrong rather than guess. I felt the same about ballet when I began. I could have figured out stuff on my own, but I didn’t want bad habits. I wanted to be taught proper from the start; same with violin.

I got permission to use the studio space, since David, my teacher, usually does private lessons in the homes of his students or rents studio space from a local music shop, and I live out in the sticks. It was a bit surreal, and i’d say encouraging, to be starting this thing in the building where the other thing I once began lead me. It was comforting to be surrounded by tutus and pointe shoes, putting rosin onto a bow instead of a shoe.

David walked me through the very beginner basics of the instrument. He showed me the bow, walked me through all the different parts, and gave me homework to memorize the names of all the different parts. He did the same for the violin itself, explaining the subtle differences between a violin and a viola, giving little tips here and there. He showed me how to properly store my bow, as well as how to tighten it to play. He then showed me how to apply rosin to the bow strings, and then how to hold the bow. I learned how to tune the violin, how to properly place the violin, how to hold my hands on both the violin and bow—all the fundamentals.

I was eating up every second of it, finding all of it extremely fascinating. I looked at how he described how to hold his thumb for this, how to set his pinkie for that. He was very good at breaking it down to the finest detail, which is exactly my cup of tea.

The first thing he had me do myself was to scrape up the new rosin. It has a bit of film on it when it’s brand new, and to get it to apply properly, you want to scruff it up a bit. He showed me, then handed it over for me to do. No sooner he did, he looks over and says, “oh, you’re doing really well with that”, a little surprised at how quickly and efficiently I was doing it, asking me to show him how I was holding the scissors to do it that way. I laughed a bit.

When he showed me how to tighten my bow for playing and loosen it for storage, he had me do it myself without help or suggestions. I got it right first try. I can’t lie, it felt good to impress him on something brand new to me.

Next came holding the bow. He told me how he explains it to his kids as your hand being a cajun chicken (hilarious) and where to place the fingers, starting with the thumb. I placed my thumb and he said, “oh. You got that right first try. Like, that’s perfect, okay, keep going.” and I placed the rest of my fingers to which he said, “perfect” and then we carried on.

Next he walked me through the optical illusion of the angle of the violin in relation to your body. He explained that the violin needs to tip “like the Titanic” which i’ll for sure never forget. He showed how to place my left hand, and how to place my violin and my chin in relation to the violin. He handed it to me to try, telling me not to have too much tension in my left hand (i’m super good at being tense, yall), and then said “now if you can let go and the violin stays, you know you’ve done it right, but it’s tricky and no one gets it first try. I placed the violin, and let go.

It stayed. His jaw dropped a little.

At this point, i’m thinking, “surely these things aren’t that difficult, right? Surely he’s just being kind. Surely, if someone pays attention, they can get all this first try.”

We carry on. he shows me the wrist movement needed in the right hand, guides me through a few exercises to work on for the movement, and is shocked at how naturally my wrist moves in the way it’s supposed to. I’d like to thank Ehlers Danlos Syndrome for this, as the hyper mobility definitely comes in handy for my wrist dexterity.

Then he says, “well, want to learn your first song? This is where the dying cats comes in, so don’t get discouraged if it sounds a bit off at first. I’m just giving this to you to see if I can stump you since I haven’t so far.” He shows me how to hold my left hand, which apparently its natural shape is exactly where it needs to be for this sort of movement.

The first song is simple. It just had the strings open, and you basically attempt to draw the bow across one string at a time in a syncopated movement. bum-bum-bum-bum-buuum-buuum. He shows me, then hands me back the violin and I try it out with the A string.

bum-bum-bum-bum-buuum-buuum.

He doesn’t say anything, and for a moment i’m worried I completely messed it up and he’s trying to figure out how to nicely correct my mistake because it’s probably a really weird way of messing things up. That’s what usually happens. I’m really good at doing things wrong in ways that stump instructors (and typically it’s due to thinking backwards when processing information).

When David does speak, he says, “wow, okay, so, that was great. Um, I need to find a way to stump you. Okay, I’m gonna go get my guitar out of the guitar. feel free to try that with all the strings while i’m gone.”

So, I do. I do the D string, then G, then try the E. Then I go back to A, trying to get the syncopation correct. When he walks back in he says, “I thought I was listening to a recording of the violin, listening to that.”

At this point, it feels super fake. Surely everyone, at least adults, can take to it like this. Right? Although, anyone who knows about violin that i’ve told i’m going to learn violin has told me it’s one of the hardest instruments to learn. Even the music degree guy at the shop told me he had quite a bit of time in the dying cat phase. Where are the cats?

David comes back in, and he sits with his guitar and plays while I play each string. then has me go out of order, picking whatever string I want without telling him, and holding out the last note for a 4 count and making it last to the end of the bow. I do that. Then he shows me some finger placements for the string. he sort of says which note is which, but walks me through it. “Surely this will stump you and if it doesn’t I quit. I’ll throw my hands up and just be shocked.”

I try it, and the first time he cues me a bit to which way I need to adjust my finger placement to get the note exactly correct. Lots of “a smidge, there. perfect”’s were said. He had me do it again, this time the only cue being the lead in with the guitar, to see if I could find it on my own. I got three of the four right, and the fourth one I knew it wasn’t right but just need to work on which way to adjust it to fix it. (That darn pinkie is difficult to reach sometimes!)

Overall, he was delighted. He told me to work on that movement so I can do each string, without pausing, and faster by next week.

To current Emilee, that seems like a pipe dream. But I feel with practice, I might actually be able to do okay.

David said he’d never done a two hour lesson with someone. He’ll go over, but never this long, but he kept wanting to see what else I could do. He said, “this is the equivalent of having a 6’6” person walk in the first day of basketball practice”, and at one point asked if someone was playing a prank on him. “There’s no way you’ve never held a bow before”.

I’ve never been a natural at something before. everything i’ve done has taken hard work—not just to learn whatever it was, but to prove I belonged there. I’ve gone my whole life having to work so much harder just to be mediocre when everyone else was good at the off. The only exception perhaps being theater at my private school. That was a very tiny school, I often got the leads in Christmas plays, and also I had all the confidence of a person who didn’t yet know what it meant to not be confident in something.

It almost feels fake. Only at that last bit did I start to show a smidge of struggle and by that point my arms were tired and I was taking in so much new information, the fundamentals were tweaking a bit. I just haven’t had the time and practice to get the muscle memory. He even asked if I wanted to learn more difficult things yet but I told him I wanted to work on the simpler first so I can get the motion down first and be confident in what i’m doing.

I’m over the moon.

My right shoulder had a lot of opinions about what I was doing, so that’s something i’m going to have to watch. It hasn’t bothered me too much in recent days, which is nice, but this will be a lot of aggravation on it so I want to be as wise with it as possible.

I want nothing more than to practice right now, but I don’t want to over do it first day. I was already pretty run down going into today, then a two hour lesson learning a new thing —it’s a toll on my body. But i’m so thrilled, and look forward to picking up Beulah tomorrow and seeing what I can manage on my own, and how much i’m able to work up to for next week.

Stay tuned!

Cat to Canary

When I was a kid, i’d always wanted to learn ballet and earn pointe shoes. I was taken out of ballet class two years before I could get my pointe shoes, and thus at 23 decided it was now or never. I began classes with the goal of earning pointe shoes within two years, so by my 25th birthday. One week before, I got my permission slip.

My other childhood dream was to learn violin. I’m not entirely sure what about the violin drew me to it, but I do enjoy listening to stringed instruments and asked my parents if I could take lessons. Our neighbor was notorious for playing anything with a string, yet the lessons never happened.

At 23, when I was living on my own, making my own decisions with my life, I considered my two unfulfilled dreams. I decided to go with attempting ballet first, made a facebook post (el oh el) asking if anyone knew somewhere that taught adult beginners, and was given the name of Jilissa Cotten and her studio, Instep Dance Studios. If you’ve been around, you know the story.

At 35, i’m glad I went with ballet first, especially considering i’m no longer physically able to dance like before. I was given so many opportunities through ballet and in the dance world that little Emilee never even would have dared to dream, and had I waited I may never have been able to accomplish those.

But now, at 35, I have found someone who will teach a completely beginner adult violin.

Friends, today I bought my first violin.

I’ve had it in the back of my mind for a while, and even recently began telling my dream to some of the dance moms at the studios. Many of them homeschool and told me that the people who taught their kids also taught adults as many of the moms joined in their kids music classes. Still, I struggled to find someone who could teach me. That is, until I was at work at the courthouse one day.

There’s an office on the same floor as mine that has a lovely lady working in the office, Sylvia. I popped by one day to say hello and we got to talking and catching up when somehow violin was mentioned and she said her husband used to be a music professor. She also mentioned he teaches violin private lessons. I asked if he taught completely new beginners and she said, “all the time” and told me of a new navy pilot student he took on two years ago that’s thriving with the instrument now.

My eyes got as big as saucers as I realized, this was it. This was the opportunity i’d been hoping for. This was my chance. I told her i’d come back by after Swan Lake and talk to her again and that moment came last week. I got David’s number and gave him a rang on Tuesday, and starting this upcoming Wednesday, i’ll be learning the violin.

Today, I went to South Texas Music Mart, per David’s suggestion, and got my very first violin. I have yet to name her, but she’s beautiful and it still doesn’t quite feel real that she’s mine and this is all actually happening.

As I got ready to leave the house, I found myself incredibly nervous about going to buy the violin. I have no reason to be, of course, but new things tend to scare me. As I sat on the bed trying to hype myself up, going over in my head what David told me to get and ask for, I reminded myself of how much I wanted this. I also felt nervous calling David, but as soon as he answered I felt completely at ease, he just as excited as I am. “If I could do that”, I told myself, “I can buy this violin. I want this more than i’m afraid of it”.

I also reminded myself of that day back in 2011, when I was so nervous to email Instep Dance Studios about classes. I remember the reply I got from Leslie, and going in that first day, scared as scared could be, but doing it anyway. I wanted that more than I was afraid of it, too.

The person who helped me (I don’t know his name, but do know he has a sister named Emilee) was extremely kind and made me feel at ease about everything. He was honest and direct with the options, not pressuring me into buying something more expensive just for funsies. The other person working told me his wife is 34 and just got her first violin as well. He said his advice, as he had to learn violin for his degree, is to push down hard enough with the bow, play closer to the top, and to not be afraid of sounding like a dying cat at first. It’s part of the process. I replied with, “I guess you have to sound like a dying cat before you can sound like a canary”.

And you do. Beginning is so hard. Starting something and daring to not be good at it is difficult, especially when we’re older. I feel we’re expected to know what we’re doing with age, unlike childhood where people make room for mistakes as you’re learning literally everything in life for the first time. (Though some could due to remember this about children more than they do). We have to give ourselves permission to be beginners; to make mistakes, to play around, to figure things out, to ask questions when we don’t know the answer, to not be a natural at things.

I’m extremely excited today, the day I bought my first violin, but i’m sure there will be days when I want to throw it. Those days I have to remember how ballet was hard too, and the moments I panicked in corners because I didn’t understand, but that asking for help and continuing will get you out of those corners. You have to be brave enough to begin, and then remember that learning is downs as well as ups. The down days remind you why you want to be there and make the up days that much sweeter.

So, here’s to new beginnings. Here’s to childhood dreams being realized. Here’s to daring to try something new and be bad at it until you’re okay at it, and then be that until you’re good at it. Here’s to the hope of one day being great.

Here’s to sounding like a dying cat, so we can one day sound like a canary.