Category: spring 2016

Let’s try it. 

Yesterday started off not much better than the day before. My brain was fuzzy and I felt out of my depth. I know it’s the 6 class and many people say I’m more than capable, but yesterday I was feeling my 5.

There were bits I was terrified over but still tried. So that was something at least. I don’t know that I would say I was successful, but I was definitely more successful than having never tried at all.

There was a point when I panicked. And it was stupid. But I was embarrassed and just didn’t have it in me to fully wrap my brain around what was happening, what was being asked of me, and I knew I looked like a fool doing it. Thankfully, Julie is good at recognizing when to push and when to pull back and she pushed until she needed to pull back so I didn’t completely fall apart. (Although I did fall apart more than I would have liked. And felt a prime idiot more than I prefer.) (yay for comfort zones being demolished?) (or something)

After ballet was over, I went into the small studio to break in my new shoes. I waited until then to do it instead of breaking them in in class because I wanted to make sure it was done properly. These are experimental shoes, and I want to give them every bit of a real chance as I can.

They’re the same shoe, just with a harder shank. The hardest Capezio makes, actually. I had the hardest shank before, but now they’ve started making an even harder shank, so Amanda from Capezio in Austin told me about it and I figured I’d give it a shot. They came in, I sewed them that day, and waited for d-day. (So to speak)

I was nervous, so say the least. After the Gaynors bombed because of sizing, I was afraid these wouldn’t be any better and I’d just have to make my old shoes work best I knew how. Which they aren’t terrible. But it seemed something was missing.

I put them on, did a few things to help the arch so they wouldn’t snap, then I rolled up.

I’d say my biggest fear was that they’d be too hard. That I wouldn’t be able to get over my box and it would be so defeating. That I would find myself with the opposite problem of what I had before, and would have to find a way to make it work.

But that didn’t happen.

Instead, they seemed to mold to my arch, getting me over my box but not too far. Just enough to do what I need but give me room to work harder. If that makes sense? Anyway.

I went into the office and asked Ms. Munro what she thought. Sometimes people think they need hard shanks but are really just fooling themselves. I didn’t want to be that person. So she had me do typical bit of standing in first, then pushing through the instep, then straightening while trying to stay far over the box. Afterwards she said, “those look great!” And we talked about how people who have naturally higher arches need a harder shank. Which I’ve been told I have, but never really realized it I guess.

So the shoes are a go. Approved by Ms M, and feel great. I went back in the studio and worked a bit more. I did a few of the things to help me lift out of my shoe and then I decided to try a pirouette to see what would happen.

Wouldn’t you know it, it improved substantially.

I was able to hold the position a bit longer, it felt more stable, I was able to fully get around and roll through like a champ. I was on cloud nine.

So I tried an en dedan. And I got around with my leg not even to the front where it needed to be. So I fixed it and it was quite a decent turn. Still better on one side versus the other but that’s typical. I went back to regular pirouettes and the first one I tried was so solid if I would have gotten a bit more force it could have been a double. What. The. Heck. So then I tried a double and completely bombed it because I was thinking too hard so I just laughed at myself.

I worked on chaines and piques and was successful with both, though they need work. I felt like what I see other girls look like. That this must be what it feels like for them in class.

More importantly, I felt hope.

Which is something that has seemed to be in short supply recently. It gave me a bright point among all the stormy clouds that have been keeping me company. Sure things still suck, but at least I have something to help me through.

I’m grateful, for sure, and emailed Amanda from the studio letting her know she’s my hero and asking to order the next pair of magic shoes. I wish I could order more at once, but these bad boys run about $120 each. Sucks to go through them so quickly.

Oh well. It’s worth it to me.


  

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A post.

I’ve toyed around with the idea of even posting this post.
Part of me feels like it’s pointless since what I really feel and want to say isn’t something I should put onto such a public platform, even though it’s something I’m very passionate about. Sometimes you just have to keep your mouth shut, sit back, and pray everything sorts itself out. Sometimes speaking only makes things worse.

Part of me want’s to say, “screw it” and say it anyway. But that probably isn’t the wisest thing in the world.

Part of me wants to stay silent. Since speaking about things like this rarely gets accurate intentions across and it can just make you look like crap or people feel bad for you or whatever. Sometimes staying silent and fading into the background is so much easier.
Sadly this seems to be a luxury I can’t afford.
I love people, I really do.
But sometimes I just don’t have enough for myself, let alone other people.
This is one of those times.

Although sometimes helping other people can bring you out of a funk like this–or at least ease a bit of it–things have gotten extreme enough to where that’s not the case so much.
(Except very rarely and for very specific people, anyway.)
(Lookin’ at you, Valerie. Thanks for being awesome. Always down to help y’all in class.)

Thankfully, I’ve somehow found myself with a few incredibly selfless people in my life that I get to call friends.They’re the real MVP’s.

So I’m writing this post, because even though yesterday seemed to go to hell in a handbasket, there were a few things I wanted to note. Because what the heck this never happens.

I did my first solid double. Not en pointe, but whatever. I was trying, but not really, and it just happened. I wasn’t thinking, that’s for sure, and that’s probably why I was able to do it. And as soon as I realized what had happened, I could hear sweet Ileana behind me, “*Gasp!* Yay Emilee!” Which meant more to me than I could ever express. Sometimes I feel so very alone in classes, and that made me realize that I have these friends among me pulling for me, cheering for me to succeed. Celebrating when I do.
The next turn, however, was ridiculous to where I even stopped and pointed at my foot and said, “What are you doing?!” before I realized that I was indeed still in the classroom and in the middle of a combination. Oh well.

The next thing was how I seem to suck at jete’s, even though I’m built to be a jumper (thanks, stupid uneven hips) but managed to somehow do one that kinda actually got off the ground. Enough to where someone else noticed it and commented. I’ve come to terms with the fact that people don’t typically watch me. I don’t think about it, I don’t really concern myself with it. But it’s nice when you aren’t sure if you did something correctly or want to know if you improved to know that you have someone to bounce stuff off. And when it mattered yesterday, people were.

Things are still weird. Life is still hard. There’s still plenty that doesn’t make sense and many, many things I wish I could fix or change or even just say. But amongst all the crap, there’s still a bright spot here and there. And it’s nice to remember them.

Photo day 

Here’s some pictures from photo day yesterday


  
  

  
  

  
  
  
  
  
  
One of the dear moms asked if the covers could take pictures just to have. Mrs Alex was gracious enough to offer her time and we were able to. It was fun to flip around and goof off with these girls. I love them. They make it fun.
I have lots of thoughts and feelings, but I don’t think it necessary to share them here. So I shall leave you with these pictures and keep truckin’.

 

Prove it.

It’s funny hearing people tell me how they read my blog and the varying degree of addiction it causes them. I don’t know that I’ll ever get used to it, let alone understand why people actually enjoy reading such nonsense. Nonetheless, I still write this nonsense. So I guess there’s that.

(Hi, y’all, glad to have ya!)

Before class started yesterday, I leaned over to two of my friends and said, “let’s treat this like an audition and see what happens.” If you remember my previous post, Ms. Munro made a comment that we all do so well at auditions and then slack off in class. So I’ve been running an experiment of what would happen if I took her advice.

The results have been astronomical (Imagine that!) and yesterday seemed to be the best thus far. Not only was I getting corrections, I was getting compliments. And not just ones I’ve heard before, but new ones on things I’ve been really working on. Mrs Alex said my arms were light and that I presented correctly and did the arm transitions well. I even got one by name. We were doing a combination at the barre where we did slow develope’s and ended with a tendu in fondu. (I think. Somethings like that.) it was a nice, slow, even tempo combo and felt really good to do. Everything seemed to click so I really did my best to do everything I’ve remembered being taught as well as implementing the corrections as she said them–heel forward, turn out from the hip, shoulder down, really present, straight knees, and on and on.

She happened to look at me at a develope to the back and my thigh happened to be lifted the proper was as I did the movement and she said my name when she complimented me. Then after even said my name again and that me and another girl were the ones she saw had it correct. Like. What? It felt so good, I can’t even find words for it.

I feel like I have to work really hard to prove myself. To show that I am capable and able to do what they ask of me. That I am listening to and want their direction. That I take this seriously and want to improve. That this is more than just some recreational thing. That this is something much deeper.

I was talking to one of my dance mom friends about some stuff going on and made the comment, “it’s just a dance, I shouldn’t be so upset about it.” And her reply really hit me.

“It’s not though. You spend as much time there as you do your job. And you are emotionally invested. For you it isn’t just dance.”

That brought so much peace to me. I’m so used to being told that I have to be strong. To suck it up and just get over it. To just take it. So used to it that when I find myself with these real emotions through something like this that it translates into “I must have done something wrong.” That I’m not enough. That I have to be better. That I can’t let them see me cry. And yes, I shouldn’t let it get to me enough that I get emotional in front of everyone. Dramatics are uncalled for. But I have to give myself room to be human. And it’s okay to do such.

Yesterday’s class made me feel like I am doing all I can to prove myself. That they see it. That however this cookie crumbles, I have done all I can. And that is something I can be proud of and that no one can take away from me.


(Hi. Hello. It’s me.)

Limit yourself. 

I deal with perpetual depression and anxiety. 

Now that that is out of the way. 

I woke up this morning pretty panicky. For no good reason, but I couldn’t shake it. All I wanted to do was dance, but deep down I was nervous that dance might make it worse. (Probably me jumping to worst case scenario there. Typical.) I tried to go into the class day with an open mind and giving myself room for faults. 

Ballet went fairly well. I was able to hold a few balances I usually suck at and do the fouetté prep at the barre I used to really do terribly. We got to center and I still struggled a bit with balancing but was able to see little bits of improvement here and there. Overall, it wasn’t bad. I appreciated that she gave us combinations that were easy on the brain but still challenging our bodies. I think that helped make it better. 

Jazz-but-really-lyrical class went fine. Not all the girls were there so we still haven’t changed it up to the final way we’re gonna have it yet, but the new girls that have added on are doing well. They retain the choreography, which is super great. Ms Heidi said she might pull me and either Savanna or Valerie to be another duo, or separate singles–she’s still playing with ideas–and one of them sort of play off Ileana. 

As we were standing there while she was figuring out a part for another group, my mind began to wander as it does. I was watching Ileana and wondering what I would do if I was having to sort of mirror her. 

And it hit me. 

This terrible wave of whatever you want to call it that I hadn’t felt in a good long while. 

I thought of being in the audience, watching this piece, it being she and me, and thinking, “that one girl is so good and absolutely gorgeous. Shame they paired her with the bigger girl, she’s not as good I kinda feel bad.” 

It’s a dialog I’m sure I’ve heard said of someone on a stage once somewhere. And it’s probably part of the subconscious that stuck in my head growing up and lead me to make decisions I made that lead me to stop eating until I was really thin because I was terrified I would be that person. The “bigger girl” that was seen as a terrible thing. As lesser. As not enough. 

And I realized that I would be that should Ileana and I be paired.

And I realized that there are bits in Julie’s recital piece that I am that. 

And I realized that at some point my perspective had changed from that negative way of thinking to one of what-can-I-achieve-if-I-work-hard. 

But still I found myself standing there tonight with a different kind of panic. What would I do? I can’t lose any more weight than I have. I’m doing my best to improve with the hand life dealt me. How can I not be “that girl” ?

I told myself I couldn’t think that way. Tried to push it out of my mind. 

Mere minutes later, the newest new girl and I were learning a bit we had just been shown. I didn’t really know what I was doing but was trying to decode the struggle, so to speak, and she looked at me and said, “man you’re really good. Like, you’re so talented. I know I’m new and all, but I hope I can be as good as you.” 

In my head I said, “are you blind? Like. I can’t do anything she’s asking us to do. I’m trying not to panic because I know I can’t do a firebird or a leap in second. I’ve never tried them. I’m gonna look a hot mess, and if I can’t do it how am I gonna teach you to do it? I’m terrible. I’m new to this class and much of it is way over my head. Have you seen me? I’m not exactly the dancer type.” But instead I replied with, “thank you!” 

She didn’t have to say that. She could have kept it to herself. Sure, it’s safe to say the entire class is better than me in skill, but whose to say I’m not good in my own right? She didn’t see me as the “bigger girl in the class full of skinny, good girls.” She saw me as “talented.” 

*mind blows* 

I may still struggle. 

I may feel like I don’t really do anything right. 

I may feel like I’m just a 5 year old playing a giant game of pretend and all the adults just think “aww how cute” cause it’s cute when a 5 year old makes a fool of themself.  

I may feel like I keep missing out on roles and parts and accomplishments because I must just not be good enough. 

I may feel like I don’t have enough time to get to “enough.” 

But to her, I was enough. I was the “goals.” I was talented. I was the one to be like. 
Who am I to limit myself with my own judgements?

Swan rehearsal and fitting

This morning I woke up feeling anxious. 

I couldn’t shake it. One of the girls even mentioned before barre that I didn’t seem myself.  I found myself fighting off panic attacks at the barre and it only escalated into rehearsal. 

I bit my lip until it cracked and dug my nails into my side until someone distracted me with a question. Thankfully. Because I’m sure I would have broken skin without even thinking. 

That’s something people don’t know or realize about me, I guess. The darkness of my past. It typically stays there, but sometimes it can creep back into the present and the fight is exhausting. 

Today was one of those days. 

Only one girl wasn’t there, and another one wasn’t feeling well so she sat out. Ms Munro had girls who hadn’t run it go in so I was marking it from the sidelines. It wasn’t all that bad, like no worse than usual at least. Part of me was grateful to not have to be “on” but the other part of me knows that I don’t have the luxury of getting to be off. Not right now. 

I really appreciated one of the moms coming up and encouraging me. I had really gotten inside my head at that point. Why am I here? Why do I even try? What is the point of it all if I work my hardest and nothing comes of it? Who am I kidding? If I’m not good enough now what makes me think I will be later? Whose to say I’ll even have a later? I was so beyond frustrated and I hated myself for it. The battle was real, and the “dark place” was rampant. But she came up and encouraged me without even realizing what she was doing. Well, part of it I’m sure she did. But really, I was so grateful.

I don’t want to be this way. I don’t want to be upset or frustrated or bitter or anything. I just want to dance. 

After that point, I stood there and asked myself some questions. 

Why am I upset? Because I didn’t get to be a swan. 

Yeah but you’re still in Swan Lake. Yeah, but I wanted to be good enough to be this role. 

Okay but you can’t change anything now. So what are you going to do about it? Well. I’m gonna work hard and do my best. 

Cause really. Why am I here? What drives me to show up every day, even if I’m not a swan? I do it because I love dance, I love the art form. I love getting to be here and try new things and learn and grow. And aren’t I getting to do that still? 

I get out of this what I put into it. And sure it sucks that some of the other girls don’t even bother to show up or put in effort. But Mrs Alex is right–I’d rather be a good person than a stellar dancer. At least dance is something you can work to improve upon. 

So it can really suck being a cover. It’s hard and exhausting and really emotional. But it’s what I am. It’s what I signed up for. And I made a commitment. I don’t want to go back on that just because the cards didn’t fall in my favor. That would be immature. Now my goal is to be the one they can count on. To do everything I can to know the parts so I can be relied upon should anything happen. I want to put a good taste in their mouth, make their jobs easier. 

Even if I don’t get to dance swan, I can still tell them a lot of my character by my actions. 

They had swan fittings after. We didn’t have to be there but I was to wait for my friend who is a swan. It was cool getting to see them all together. The costumes are gorgeous. I really am proud of how good it’s looking and how well they’re really coming together. I got to actually watch it today. It’s really neat. 

   
    
    
   
A few of my friends 😊

Here’s a few before class. 

   
   

Thoughts and feels lately

I’ve been rather contemplative lately, in a funk of sorts. This tends to be when I get reflective and such, which has only been heightened by the excitement of a domain name, instagram account, facebook page, and everything else that has come about with the blog actually being a .com.

Looking back, I realized this time last year, most people still didn’t know me.
It was largely Wizard of Oz that actually introduced me to everyone in the studio. I knew a few after Nutcracker, but mainly just the girls in Chinese with me. Which was about, ya know, 7 people. Oz added on the Crows, other Winkie Guards, a teacher, (who was our director) Munchkins, their siblings, the dance mom’s, and eventually the other dancers. (I think Crows opened up majority of that.)

It’s funny to see the difference.
How now, everyone knows me. They know my name. They know I’m not in High School, a good deal of them have figured out my story, or at least bits of it.

Honestly, sometimes I can’t tell which I prefer.
Getting less-than-stellar roles is definitely easier when you don’t know anyone. It’s not as personal. The sting is only within yourself and doesn’t typically have other people attached. It’s less to fake until you can work through your emotions. It’s less tears, really.
There’s less confusion about how you rank on level since so many other opinions are now interjected. You don’t have as many people you feel responsible fore; You don’t have to be “on” as much when no one knows you.

On the other hand, there’s less encouragement. Less people who care about your accomplishments and help you when you’re struggling. There’s less support. You don’t have people to bounce thoughts off of, or to ask to watch you do this or that move and see if it’s correct. You don’t have someone there to pull you back to reality when you get caught inside your own head, no one to shoot down the lies you tell yourself. No one to build you up when you get knocked down. There’s no one there to ask for advice. No one to share ballet puns with. No one to read your blog and get excited with you over new beginnings or small victories.

On Sunday, I went with one of my best-non-dance friends to Austin to meet our favorite author. This was my first time to attend such an event, and I was really excited, especially since I felt like I could relate to him in so many ways.
There was a question and answer segment, during which he nonchalantly divulged the wisdom that guides who he is as a writer and a person. During this, he made a comment about how, when writing the final book of this trilogy, he tried to seclude himself to get what he needed out. He went to his parents cabin with hopes and visions of walking around nature, taking it all in, and being able to get the story out. What he found was the exact opposite. Being alone was of no help, and instead he found what he needed when he surrounded himself with the people he cares most about. The ones who encourage him and are honest with him.

It may be difficult, there may be times I want to just be alone, and that’s okay. Especially being largely introverted. But what it boils down to is that I’d be nothing without the people in my life, without this dance family I have found myself among. They push me and encourage me and help me accomplish the things I’ve set out to do. They celebrate my successes and grieve my disappointments right along side me.

Though I’m sure I’ll find myself in days when being alone is what I need, I can’t let myself cut off from the very people who have helped me get as far as I am.

 

I love the people in my life. And I cherish these days that I get to have them close to me. Every year brings new changes–heck, everything could change tomorrow–so while I have them, I want to hold them close and make the most of it.

Daily Auditions

During warmup at rehearsal on Saturday, Ms. Munro made a comment.

She said that during auditions, we really present and give our all and look our best, yet when we have class and rehearsals, we do less than that. She said we should do our audition-best all the time. Pushing our limits and working hard every class is how we will improve.
These words were mostly met with grumbled excuses of how 10am is so early for a Saturday and glazed eyes spacing out on who knows what. 
But I took that.
I thought of the girls that seem to get every role.
Of course, they’re talented, but so are these ones that get overlooked. What’s the difference?
I watched during rehearsal, and saw how those were the girls smiling through rehearsal–treating it like a performance. I know this isn’t always easy, especially in the learning process. But it is possible to give a little more to try and make it as much of a show as you can. 
To treat it like an audition.
So I decided I will do just that.
From now on, ever class, every rehearsal is an audition.
I’m gonna try and keep my brain clear, so I don’t freak out. I’m going to tell myself I can do these things. I’m going to work even harder outside of the class room. I’m going to do everything I can to show them I want this; to better myself.
Yesterday’s class is the one day I can get away with slacking off, but I didn’t. I determined to implement this immediately.There were moments I faltered, but I tried to use every opportunity to add in extra and really give my all. Of course, there are limitations–especially for me. But I worked around the limitations, pushing them as far as I could, to get the most out of class possible.
I found myself sweating complete buckets, but also doing things I typically can’t do and trying things that would scare me. I made it through combinations I usually struggle with and even saw improvements on some of my steps, once even getting a “Good!” from the teacher who doesn’t really compliment. 
I was even able to do an en dedan turn on my bad side, though that shoe felt better for some reason, making risk a little less scary. Curious to explore to find out why.
A humorous part of class was when we did a combination across the floor. I was doing pretty alright until it got to chaines. I tried on the first side, and honestly tried on the second side, until–ya know–I forgot my left leg is shorter and had my hips squared which meant the floor wasn’t where I expected it to be and it felt like when you miss a step walking down stairs. Pretty hilarious, especially since I didn’t get hurt. Hehe
I had a friend text me after class saying that I looked really good in class yesterday. Coming from her, I know she means it, which means so much to me, and fuels my fire even more.
(Hannah’s feet on Saturday)

Beginnings

It is clear that learning a part as complex as the Swan corps is way more difficult as a cover than as an actual swan. I sometimes find myself wondering if the girls know how lucky they truly are to have their place set and sure, not having to worry about what the other groups are doing.
I was Abarrane for part of the rehearsal Saturday since she had ACT testing in the morning. It wasn’t too difficult, since she was the opposite of Adrienne, except for the bits I couldn’t remember. Oops.
But that’s okay. We got it fixed and worked out and all is well.
When Abarrane got there, I tried to watch for the people I know will be out coming up, and it got complicated. They are each something different. Then I come to the realization that even being this proactive won’t guarantee I’ll get the spot if someone drops. It could be a matter of height. These other covers are dedicated to learning it as well.

Instead of being overcome by bitterness, fear, and jealousy, I approached the girls with an idea: Let’s for some kind of group as the covers to make sure we enjoy this instead of just sitting on the sidelines sad. “Let’s be so cool the other girls wished they were us.” Haha.
Catherine and Maddie came up with a clever name–The Ugly Ducklings.
In the story, the ugly duckling tries so hard to be like the swans he sees, but just can’t be. (Until he grows up and realizes he was a wan all along, just needed a little growth.)
We want to make shirts. It’s gonna be great.
The girls are excited about it, as am I. We even have a fun little hand sign thing.
It still stings a bit to not be a swan. Seeing and hearing the other girls get so excited for costume fittings and photo day and all, knowing I just have to watch from the sidelines again. But it is what it is. There’s nothing we can do about it.

Instead, I had Ms. Heidi look at my shoes, and asked her what she thought. I’ve been told I don’t pull out of my shoe, but I don’t know what else to do to be better about that. She was able to explain what I need to think about, and give me some things to try at home to help me get better. It’ll take time, but if I start now it’ll be very beneficial.

In her Jazz/Lyrical class, we had a new girl, Valerie. She paired her with me since my partner wasn’t there to work on recital. I taught her our bit and we did it side by side instead of mirrored. I had no idea that the only dance training she had was dance class in high school. She took the adult ballet and said it was really fast, but she wanted to dance so she’s gonna stick with it. She really liked the Lyrical class, which was good. She picked things up really well and was able to just go with it, even though she didn’t know what half the stuff was. I was really impressed. She told me how she wished she would have started dancing younger, but was excited to start now. She’s from Austin, and down here for school. She seems like a great person, and it was fun to actually have someone in the class understand my cultural references from when I was a kid. (Lookin’ at you, Zenon, Girl of the 21st Century.)
Valerie is going to do recital, so Heidi was trying to think of how to work with the new numbers. She might have Valerie take my spot, and teach me a new thing entirely, thinking it may be easier to learn since I won’t be here a lot from work coming up. Which is exciting, but also a bit nerve wracking.

It was refreshing having Valerie in class. It reminded me of what I felt when I first started–that bit that can get lost in all the striving and stress. I still have a ways to go, and loads to learn, but I’ve come so far from that first anxiety-ridden day. And it’s not all about hitting one certain goal, it’s about the process. It’s about every day, working hard–not just one show or role. It’s about being better today than I was yesterday. If I can do that, I am successful.

(Repeat to myself when I’m starting to feel the sting again.)

Swan Rehearsal

We had our first Swan Lake rehearsal today.
When we got there, seven girls were missing, one of whom was also a cover, which left us four covers with six spots to fill. We sort of went by height, and then just left the other two spots for later.
I was the cover for my friend Adrienne, since she is one of the tallest.
It went really well, and I think we learned a good chunk of the swan bit. I wouldn’t say it was all that hard, but definitely takes immense stamina and dedication with attention to detail. It’s not for the faint of heart.
The swans are all–obviously–part of the corps, but there are many different variations of corps work among it. Being the cover is turning out to be quite the endeavor. There are parts that are just mirrored on each other, then depending on if you’re stage right or stage left with determine which leg to begin on. Of course, Adrienne wasn’t part of that. she was in the back of the middle, which had the different bit. What’s more is that she is part of a section that consists of just her and one other dancer. It’s not really a solo since they’re all dancing at the same time, but it is different from everyone else.
Chances are once I teach this to Adrienne, I’ll never have to learn it again. So I had one of the girls in the middle part teach me the different part they learned. Of course, I didn’t retain it as well, but at least I get the gist of it. I also had one of the girls on the sides show me what it is they do so at least I’m exposed to it and if I’m thrown in one of those spots, it won’t be completely foreign.
I asked my friend who owns the DVD from our last production if I can borrow it so I can learn all the different sections, just in case.
Ps. Two of the girls that were missing showed up late, so the one went in her spot and the cover went in the other.

I sewed my Gaynor’s just in case we had to do pointe today, though I doubted we did. I put them on after rehearsal to get a picture for a friend who couldn’t be there, and then showed them to Mrs. Alex. Ms. Munro ended up coming over as well, so we discussed my feet and my shoes and how my knee doesn’t hurt, even after this rehearsal, and why I don’t do jumps in Julie’s class, and Ms. Munro agreed to not do grand plie’s and all that. Mrs. Alex even said these shoes made my feet look better. I don’t want them to cause me to be lazy, but it definitely is nice having the extra support in keeping my arch where it needs to be.
We are a bit concerned about the sizing on them, since my big toe literally hits the end and feels like it’s being pushed hard enough to make the knuckle bend, but Gaynor’s are supposed to give a bit with wear, so we’re going to see how that goes.

After assisting class on Friday, I was talking with a friend who also teaches at the studio. She told me, very gently and tactfully, that she thought my shoes held me back at auditions. I told her about the fitting earlier this week and how I got Gaynor’s, and she agreed that they sounded like the best option. She has similar issues and was able to give me even more insight on how to help with it.
I swear, if it wasn’t for my dance friends, I don’t know if I would be able to keep dancing. Their advice and input and support has literally been everything.

I’m pretty exhausted after today. Didn’t help that my body still hates me and food isn’t really my friend. I’m at a loss of what else to do about it.

I decided that on the days I get to rehearse for swans, I will tell myself, “You are a swan.” It helps me be more into it when we actually do it, rather than just feel like the title of “cover” is looming over me. I have no idea what the future holds. There is a very real possibility that I can do all this work and never get to dance it. There is also a possibility that one of the other covers could get it over me. I don’t know. I try not to think about it. I’m going to move on and keep going and do my best, but that doesn’t mean that it doesn’t still hurt to think about. But, it also doesn’t mean I need to talk about it. I feel stupid mentioning it at all anymore. Like maybe people aren’t telling me everything and maybe I’m not as good as I think I am.
One of my teachers told me today to not take missing out on this role as a sign that I’m not good. She said that there’s probably more playing into it, and it may not be fair to me, but that it’s part of the deal. I don’t know how much of that is true, but you almost can’t help but believe that it is. Reality is, it’s a small town, and this non profit runs on money that I may not bring in simply because I’m older, I don’t have super loaded friends or tons of family dying to pay loads of money to see me dance.

My reality is that each day there’s another reminder of how much I wanted this, slapping me in the face, showing me I missed the mark. No one really knows what all is going on on the inside. But honestly, I don’t think that’s for anyone but me to know.
What good would it do to share that with anyone anyway? No one can change things. All I can do now is work my butt off and hope it’s not for nothing.
And limit my crying.
And not get overwhelmed as work starts getting more intense.
Ahhhhhhhhhh