People

I had to leave church early to get to rehearsal, then went straight back after rehearsal for our building dedication. 

There’s a missions conference that’s been happening this weekend, of which I have missed most. But the missionary who spoke this morning made a good point. 

He’s a very real person, and he preaches along those lines. He’s been to some very dangerous places, and places he never expected to be–after all he didn’t think he’d be a missionary. He was a pastor. Shut down his church. Moved to Africa to open a bible school. But he’s obedient and spoke of how God fulfills His promises when we’re obedient. 

He doesn’t worry about being politically correct. He said “freaking” which could ruffle some feathers, but he didn’t care. He’s one of my favorites. 

Anyway, at one point he was talking about something God spoke to him when he was in the Ukraine, surrounded by the mafia. That the relationship God had with Jesus when He was a man is the kind of relationship God wants to have with us. That we are the ones who put the limitations on. He said that God isn’t doing all these amazing things (he began talking about the universe and how much more vast it is that they have discovered over the years.) just to prove to us that He’s awesome. He did it so we would want to get to know Him. So that we would see, and realize that He is HUGE and can do big things. That we would realize this relationship He wants to have with us, and in that realize this is all about people. 

It’s about God, and how good He is–yes, but it’s about people. God wants to know us. He wants to be so close with us. 

(Here’s the point of all that in relation to ballet)

I stood in rehearsal today, for my 20 second part in this ballet that I’ve worked so hard on thus far for a part I’ll probably never get to dance. 

I thought about how many people have told me how upset they are at this. 

I thought of how many people told me that I’m a good dancer, which is really nice because the casting can make me think that I didn’t get roles like my peers because I’m not good enough. But. That’s not necessarily the case. They help me see that. To not give up.

I thought of how Ms Munro complimented me at warm up yesterday and today. (Today being a warm up primarily made up of advanced girls) and I thought of how I’m still not this role in working hard for. 

And I thought of where I am and how this ballet plays into my story. And how in the world I’m gonna get through the rest of the season if it’s this hard already. 

And then one of my babies (okay she’s as tall as me, but still my baby) just hugged me. She is one of the sweetest souls I have ever met, and really she changes this whole experience for me from painful to having good memories.

I thought of the people who have encouraged me with this, most without even being provoked. 

And then we started learning our 20 second bit and my group of girls I’m usually in the same role as, but this time ended up not being (which honestly is hard. It makes me feel left out, even though I understand I am tall. And fit the costume. And it’s fine. I miss them) and they all cheered for me, like I was the greatest dancer. And it just made me feel good. 

And I realized that pastor, missionary man was right. 

This is all about people. 

It’s about being together. It’s about encouraging each other. It’s about being there for each other. It’s about the experience as a whole and getting through it together. 

The roles are nice. It’s nice to be recognized for your hard work. But. That’s not everything. 

It’s the memories were making and being in this together. 

So my phone is dying and I’m just gonna end this post there. But realize, whatever life hands you when it’s favorable or not, it’s about the people more than it’s about what you see on the surface. 

   
 
(Ms m thought there was a bug and was wondering what I was looking at. 😂)

Perspective

I had a conversation with a dear friend of mine that started with informing her of the success of the harder shanks in the pointe shoes.

And honestly, now I have a seemingly new-found perspective, as well as a figurative weight off my shoulders.

Which is silly, because I kinda knew all this before.
It just put it all back into focus for me and really made me realize something.
Mainly, that she was right.

She was right about me needing a harder shank, even when I’m told by others that having a harder shank is a cop-out for people with weak feet.
She was right about my alignment being a little funky and was able to guide me in how to correct it.
She was right about how to use teaching styles that are effective. (The proof is in the pudding.)
So many other things that all have the same connecting factor;
She was right.

So if her track record is one of being right, then I know that she’s right in what our conversation held today.
Which is more than I’m going to divulge here, but what I really take away is this:

I am my own person. I am the product of the hard work and effort I put into to my technique. I can choose to either learn from people offering to help make me a better dancer, or I can throw it all out the window. I can choose to ask questions and learn, or I can putz through in fear. I am not the studio or company I dance for. I am not any lesser or any better because of roles I do or do not get.

And no matter what things look like now, nothing is guaranteed to stay the same.
I don’t know what my life holds for me next year. I don’t know what decisions people around me are going to make that are going to affect me. I can’t count on that. I have to make decisions for myself and what is best for me. I need to keep an open mind and realize that if something isn’t working out, I have the power to change it. One way or another.

So yeah, Swan Lake sucks right now. It’s hard and it leaves me crying every weekend because there is just so much that doesn’t make sense. But there’s parts I can change and parts I can’t. And the parts I can are up to me. I can make the most of what I’ve been given and get through the best I am able. Or I can complain about the things I can’t change, sit around and pout or be bitter or not work hard because it’s “not fair.” Okay, it may not be fair. But that’s something I can’t change. I fear I’ve done all I can do, and that isn’t something I fear for myself, but for the whole.
But I am more than Swan Lake. Even if it puts an unfair amount of strain on me. Even if it leaves me completely frustrated and embarrassed. Even if it leaves me with commitments difficult to keep because of how the “cards fell.” Whatever. Gotta just deal with it and keep trucking, and evaluate things and make decisions from there.
For me.

In the mean time, I can utilize every second given to me in that studio to become a better dancer. I can be so good they can’t ignore me–not necessarily in the sense of being compared to others, but compared to myself. Think about it; if someone is a mediocre dancer in class, and all of a sudden they start caring and trying and working hard, the teacher can’t help but notice.

I want to be that.

What they do with it is up to them.

And from that, I decide what to do with my life; with my art; with my career; with my story.

And that is completely up to me.

I shouldn’t set my goals with such a narrow depth of field. I shouldn’t set them in things that are out of my control. I should set my goals and dreams in things that I can handle and things that I can logically work for. If not, I’ll just continuously get let down time and time again, and for what? It’s not that I wasn’t capable or this or that or the other. Who knows why? I sure don’t. But the point is, it’s out of my hands.
Now my goals are going to be with me in mind. They’re going to be something tangible. They’re going to be logical.

  • I want to be able to consistently do doubles. In flat shoes, and eventually in pointe shoes.
  • I want my jetes to actually, ya know, get off the ground.
  • I want to master chaines.
  • I want to learn the different names for all the placements–arms, hips,  everything.
  • I want my arabesque to be above 90 degrees when I’m not trying.
  • I want to figure out how to beat my jumps, even though jumping is bad for my knees…
  • I want to learn these new, complex moves.
  • I want to continuously improve, blowing my old records out of the water.
  • I want to leave class knowing I was the best version of myself.

I know this isn’t something I can make a career out of. I’m twenty-seven. This will be nothing more than just for the hell of it. And I should try my best. But I have to realize that there are limitations simply because I’m not in high school, or my back is jacked up, or politics, or whatever.

But I shouldn’t let that keep me from doing what I love for as long as I want to and am able to do it.

My wish is that things would improve to where injustices aren’t a thing anymore. But judging by track record, that doesn’t seem to be logical.

And I can’t let that hold me back.

Let’s try it. 

Yesterday started off not much better than the day before. My brain was fuzzy and I felt out of my depth. I know it’s the 6 class and many people say I’m more than capable, but yesterday I was feeling my 5.

There were bits I was terrified over but still tried. So that was something at least. I don’t know that I would say I was successful, but I was definitely more successful than having never tried at all.

There was a point when I panicked. And it was stupid. But I was embarrassed and just didn’t have it in me to fully wrap my brain around what was happening, what was being asked of me, and I knew I looked like a fool doing it. Thankfully, Julie is good at recognizing when to push and when to pull back and she pushed until she needed to pull back so I didn’t completely fall apart. (Although I did fall apart more than I would have liked. And felt a prime idiot more than I prefer.) (yay for comfort zones being demolished?) (or something)

After ballet was over, I went into the small studio to break in my new shoes. I waited until then to do it instead of breaking them in in class because I wanted to make sure it was done properly. These are experimental shoes, and I want to give them every bit of a real chance as I can.

They’re the same shoe, just with a harder shank. The hardest Capezio makes, actually. I had the hardest shank before, but now they’ve started making an even harder shank, so Amanda from Capezio in Austin told me about it and I figured I’d give it a shot. They came in, I sewed them that day, and waited for d-day. (So to speak)

I was nervous, so say the least. After the Gaynors bombed because of sizing, I was afraid these wouldn’t be any better and I’d just have to make my old shoes work best I knew how. Which they aren’t terrible. But it seemed something was missing.

I put them on, did a few things to help the arch so they wouldn’t snap, then I rolled up.

I’d say my biggest fear was that they’d be too hard. That I wouldn’t be able to get over my box and it would be so defeating. That I would find myself with the opposite problem of what I had before, and would have to find a way to make it work.

But that didn’t happen.

Instead, they seemed to mold to my arch, getting me over my box but not too far. Just enough to do what I need but give me room to work harder. If that makes sense? Anyway.

I went into the office and asked Ms. Munro what she thought. Sometimes people think they need hard shanks but are really just fooling themselves. I didn’t want to be that person. So she had me do typical bit of standing in first, then pushing through the instep, then straightening while trying to stay far over the box. Afterwards she said, “those look great!” And we talked about how people who have naturally higher arches need a harder shank. Which I’ve been told I have, but never really realized it I guess.

So the shoes are a go. Approved by Ms M, and feel great. I went back in the studio and worked a bit more. I did a few of the things to help me lift out of my shoe and then I decided to try a pirouette to see what would happen.

Wouldn’t you know it, it improved substantially.

I was able to hold the position a bit longer, it felt more stable, I was able to fully get around and roll through like a champ. I was on cloud nine.

So I tried an en dedan. And I got around with my leg not even to the front where it needed to be. So I fixed it and it was quite a decent turn. Still better on one side versus the other but that’s typical. I went back to regular pirouettes and the first one I tried was so solid if I would have gotten a bit more force it could have been a double. What. The. Heck. So then I tried a double and completely bombed it because I was thinking too hard so I just laughed at myself.

I worked on chaines and piques and was successful with both, though they need work. I felt like what I see other girls look like. That this must be what it feels like for them in class.

More importantly, I felt hope.

Which is something that has seemed to be in short supply recently. It gave me a bright point among all the stormy clouds that have been keeping me company. Sure things still suck, but at least I have something to help me through.

I’m grateful, for sure, and emailed Amanda from the studio letting her know she’s my hero and asking to order the next pair of magic shoes. I wish I could order more at once, but these bad boys run about $120 each. Sucks to go through them so quickly.

Oh well. It’s worth it to me.


  

A post.

I’ve toyed around with the idea of even posting this post.
Part of me feels like it’s pointless since what I really feel and want to say isn’t something I should put onto such a public platform, even though it’s something I’m very passionate about. Sometimes you just have to keep your mouth shut, sit back, and pray everything sorts itself out. Sometimes speaking only makes things worse.

Part of me want’s to say, “screw it” and say it anyway. But that probably isn’t the wisest thing in the world.

Part of me wants to stay silent. Since speaking about things like this rarely gets accurate intentions across and it can just make you look like crap or people feel bad for you or whatever. Sometimes staying silent and fading into the background is so much easier.
Sadly this seems to be a luxury I can’t afford.
I love people, I really do.
But sometimes I just don’t have enough for myself, let alone other people.
This is one of those times.

Although sometimes helping other people can bring you out of a funk like this–or at least ease a bit of it–things have gotten extreme enough to where that’s not the case so much.
(Except very rarely and for very specific people, anyway.)
(Lookin’ at you, Valerie. Thanks for being awesome. Always down to help y’all in class.)

Thankfully, I’ve somehow found myself with a few incredibly selfless people in my life that I get to call friends.They’re the real MVP’s.

So I’m writing this post, because even though yesterday seemed to go to hell in a handbasket, there were a few things I wanted to note. Because what the heck this never happens.

I did my first solid double. Not en pointe, but whatever. I was trying, but not really, and it just happened. I wasn’t thinking, that’s for sure, and that’s probably why I was able to do it. And as soon as I realized what had happened, I could hear sweet Ileana behind me, “*Gasp!* Yay Emilee!” Which meant more to me than I could ever express. Sometimes I feel so very alone in classes, and that made me realize that I have these friends among me pulling for me, cheering for me to succeed. Celebrating when I do.
The next turn, however, was ridiculous to where I even stopped and pointed at my foot and said, “What are you doing?!” before I realized that I was indeed still in the classroom and in the middle of a combination. Oh well.

The next thing was how I seem to suck at jete’s, even though I’m built to be a jumper (thanks, stupid uneven hips) but managed to somehow do one that kinda actually got off the ground. Enough to where someone else noticed it and commented. I’ve come to terms with the fact that people don’t typically watch me. I don’t think about it, I don’t really concern myself with it. But it’s nice when you aren’t sure if you did something correctly or want to know if you improved to know that you have someone to bounce stuff off. And when it mattered yesterday, people were.

Things are still weird. Life is still hard. There’s still plenty that doesn’t make sense and many, many things I wish I could fix or change or even just say. But amongst all the crap, there’s still a bright spot here and there. And it’s nice to remember them.