We made it through our first weekend of performances.
I did Rat Queen and Petit Fleur on Saturday night and just Petit Fleur on Sunday.
My body decided this would be a super fun time to not like food, so that got really cute really quickly. I somehow managed, though, and made it through.
It was a really fun weekend. I did Rat Queen the best I’ve ever done it, though I could still improve more. Jessica is so good at it, it’s kind of difficult to match it. But I didn’t miss anything or fall out of the lift or anything like that, so that was good. I have one more chance to do it, and I’m excited. (two if you count the rehearsal I probably have.)
We had school shows on Friday, which is where I did my messing up. It wasn’t that bad, or all that noticeable, so I just kinda roll with it. The kids are great. One of them told me I looked like a clown, which I got a good laugh out of. (In my petit fleur costume, even.) Some of them just came right up and hugged you, which made me a puddle on the floor. It’s really cool to see their faces light up.
One of the nights, when we came out to begin finale, you could hear a child somewhere near the front gasp and say, “Look! The flowers!” It definitely made the smile on my face real and made me feel good. Sometimes it can feel pretty monotonous, being a petit fleur. It’s nice to be reminded that every role matters from someone who is out in the audience.
The Clara’s for this weekend completely rocked the role. I was so proud to watch them and found myself with chills, even after seeing it for the umpteenth time. They worked so hard and completely embodied the role, you couldn’t help but feel something.
This year, I haven’t really been in the dressing rooms much, which can be kinda lame, or kinda great. It’s definitely great. I love getting to see the hard work come to life, and also get to take pictures of and support my friends in their various roles.
There’s something about show season that is extra special over the regular dancing season. Classes are great and learning and growing is important, but getting to put on a production with your friends who share the same love as you is something hard to describe. This really is my family; the one I chose for myself. They are there to support me and help me when I need it. They laugh with me and cry with me. They love me, and I obviously love them. Even the difficult members, haha.
We have this one life, and this is part of it. It’s not just about accomplishing something, but about all the steps it takes to get there. A story with just a beginning and an end doesn’t make for very interesting reading. What makes it great is the middle–the journey. This is that middle part, the dash between the dates of when we’re born and when we die. We get to choose how to fill it an how we handle the things that come at us. We are creating now the stories we will tell when we’re old and grey, or even just in a few years when we look back on these ballet years. These people are the names we will say to those listening. the ones we’ll write about in memoirs. Obviously, not all of them, but the ones that truly matter to us. You never know who someone is going to become. They could be the next Margot Fonteyn or The Beatles for all you know. Or you could be. Who’s to say that won’t be so? We are living history.
I’m going to be really sad when this show is over, but I’ll look forward to the Spring show. I want to take every opportunity to be with and around my dance friends that I can–they make me feel alive. I think the hardest part of this new job is knowing how much of that I’m going to have to sacrifice, and the reality that my body just isn’t cooperating like I need it to be. I’m trying not to worry about the future now. I’m not there yet. Who knows what will happen between today and the days ahead?
Here are some pictures from this last weekend’s shows and rehearsals.
Started ballet late October of 2011 at the age of 23.
Began pointe training late August of 2013.