Vulnerable. 

This is something that weighs particularly heavy on my heart (though that seems to be a trend here recently) that I’ve been wanting to write about for a while, but didn’t necessarily know how to go about it. 

How much do I divulge? What do I say? How do I remain sensitive to this topic? How do I get this out and will it be the right way? 

Nonetheless, here is my effort. 

It’s no surprise that you find yourself needing to be vulnerable if you want to go anywhere in your journey of dance. I’m incredibly grateful for the opportunities I have to dance, and how many chances there are to perform with where I am now. To be able to work hard in a role and get to perform it and display that hard work and all of the literal blood, sweat, and tears is satisfied in those moments under the stage lights in front of all those friends and strangers. It’s moments like that that make you come alive. (And I guess why it hurts a little deeper to work so hard and not get to perform a role, but that’s not this post.) 

There’s a history of sexual harassment in my past, and I’d be lying if I said I didn’t think of this every time I put on a tutu and go on stage. Though, largely up until this point they have all been romantic tutus and not as big of an issue. This year is different. 

The swan lake tutus are pancake tutus, which I may not even get to wear so that may be a non issue, and two of my recital costumes are flat and one is slit. 

I hadn’t even thought too much about it, I guess at least compared to usual, until yesterday. 

I do what I can to distance myself from certain people in an effort to protect myself. And I’d be lying if fear wasn’t lurking around many corners despite my best efforts. But there’s someone whose been supportive of my shows in the past and I hoped if I just stayed silent then they wouldn’t think to come or whatever. I had forgotten to even think about this until a comment on social media. 

Then I remembered that the person they brought to they last show they came to is now in this show. And they could come through her and her excitement. Putting him in the audience when I potentially could be in a tutu that shoes my entire leg. 

Then there’s the fear of dads coming into the studio. It’s typically not an issue, but I’d be lying if I said I didn’t wonder if the dads peering through the one way mirror are really watching their daughters, or if they’re watching the full legged, curvy adult in next to nothing; the next to nothing being a non issue in functionality for what I am doing. But in the wrong eyes it could be something easy to fulfill some sick desire. 

It’s why I don’t let anyone go outside the studio without some form of coverup on. 

But even with all my efforts of protection, there’s only so much you can do to avoid situations that are out of your control. 

Does that make them your fault? 

No. 

Does that mean you should live in fear? 

No. (As best you can anyway)

Is it likely anything is going to happen like you’re afraid of?

Not really. 

Does that mean I should let it keep me from doing what I love, what makes me feel more alive and safe than anything? 

Not a chance. 

Life is risk. Vulnerability is a risk. But if you let fear hold you back, who will ever hear your story?

The world needs your story. 

Hold yourself well and your head high. Work hard and let go of fear. Be kind, and also wise. Don’t be afraid to distance from people if it helps protect you, but don’t let hypothetical maybes hold you back from doing what makes your soul sing. 
(Ps. My friend wrote a book about her journey to healing from a similar situation. If you or someone you know is going through this, consider checking out her book and her story.) 

Be good people. 

Recently in class, ive noticed something;

The dancers can generally be summed up into two types. 

There’s the dancers that make you feel crappy about yourself, and those that make you feel better about yourself. 

And no I don’t mean “make you feel better about yourself” in the sense of, you think they’re so terrible that they make you feel like you’re at least not that bad. That essentially puts you in the first category. 

What I mean are those people who are so kind and uplifting that you can’t help but believe them when they contradict your negative opinions of yourself. 

Recently I’ve noted both. 

Theres the girl next to you in class, giving off the air that they feel very confident in themselves, whether it’s warranted or not. The girl that pushes the boundaries and rules, seeing how much she can get away with. The girl who gets roles over you and you could be made to believe that she is better than you. 

And maybe she is. But even if that’s true, don’t let it hold you back from pushing forward and doing your best. 

Then there’s the girl next to you in class, silent in her dedication. Notably talented, but always striving to be better. Never letting it get to her head. The girl who would make you nervous to have a part of a dance with, but then you do and she encourages you as an equal, even though you know she’s loads ahead of you. Yet you trust her words telling you that you’re enough. That you look better than you think. 

I took a step back and thought about the person I was. I would hope it’s the latter, but realized that I too can dip into the former. We’re human, this can happen, but that doesn’t give us an excuse or the right to treat people poorly. Selfishness isn’t worth it. 

Mrs Alex is right. I’d rather be a good person than a good dancer, though I will strive to continue to progress in my dance as well. 

If you’re reading this and you’re in my class and worried that the first person might be you, it’s probably not. But let it be a reminder to you to be the best version of yourself. Not just for other people and to please them, but for you. Be kind, it’s truly simple. Work hard, set goals and meet them. Don’t walk all over people to make yourself feel better about yourself. Take the hits, celebrate the victories, do good things. 

Dehydrated. 

I was pleased to find that work hasn’t been crazy enough this week to cause me to miss classes. I thought it would have kicked in already, but so far so good. This means I would only miss three weeks tops. Hopefully I can make at least one class even on the worst weeks, but we’ll see. If all else fails, I’ll do stuff at home. It’s just better in the studio. 

Barre felt so good in class yesterday. Like when you are super dehydrated and drink a cold glass of water. Crazy that I had only gone a week without class, but also factor in the intense rehearsal we had the day before and it makes a bit more sense. 

When we got to center for pointe, my feet felt like they hadn’t even left the shoes. Like they had had no rest since the last time they, even though it had been over 24 hours. It limited me a bit on how much I could do since the pain was pretty intense, but I tried anyway. 

And that’s the difference; I tried. Usually I would panic and freak myself out before I could even give myself a shot at the movements, but even though some of them were new and scary, I tried. I largely did not succeed, but that is okay. It’s one step closer to one day succeeding. It also alleviates many mental blocks that could form from fear I let creep in and tell me I can’t do it. And in trying I could tell that had my feet not felt like death, I would have been more successful. I left feeling empowered, not defeated. And that makes all the difference. 

I also noticed one of the girls in our class. I first met her last year when she was on the fours class recital with us. She was a 3/4 and I was a 4/5. This past year they let her go ahead and come on to the 5s. I was very proud of her. She had been working really hard, taking private lessons, and doing everything she could to work harder. Not just from last year, not just from the start of this season, but even since swan lake, I have noticed a vast improvement in her. Like something just decided to click. Where she used to just give a really good effort but still come up just short, now she gives really good effort and attains. The details are smoothing out and becoming more defined. And yesterday as I watched her in the second group of a combination, I watched her successfully hit all the turns we usually find difficult, and keep up with the movement and do it all the right way. I watched her succeed, and I’ll be damned if she’s not becoming a force to be reckoned with. 

I was so grateful for the reminder she gave me that hard work matters, that it does pay off, and that attitude and determination are truly everything. 

Not to mention, she’s one of my fellow Ugly Ducklings, and that makes me even more proud. 

(That’s you, Maddie.) 

I’m excited for today’s class. I’m hopeful in my abilities and that it will go well. What’s more, I’m eager to come alive. 
Side note. I bought a platter tutu on a whim and it came in and I’m SO excited. 

   
   

Swan Lake it til you make it. 

I was a little nervous going into rehearsal today, being that I hadn’t really danced all week. My ankle still doesn’t feel it’s best, and I’m notorious for pushing through things I really shouldn’t, so that also made me nervous. I got sick twice before rehearsal, and was really feeling it during, but managed to power through anyway. 

(For those of you new to the blog, I get sick for seemingly no reason and with little warning. Doctors aren’t sure what the deal is, as the tests all come back just fine. Meh.) 

Warm up went well. Ms Munro complimented me by name again, but I don’t remember what for. But it’s still nice to hear something from the teacher, be it correction or compliment. 

Honestly, it felt good just to be back in the studio again. I was slightly over being around so many people, but it wasn’t all that horrible. I feel like I hardly saw some of my friends, though, which makes me sad. (Lookin at you, Abarrane.) but I watched them dance and that brings me so much joy to see them succeed. 

We ran the entire show straight through. The covers went up and asked who all was missing and where they wanted us. Nicole was out, as was Lucy, and these are two that haven’t been gone. Nicole is similar to Lauren, who I had covered twice and Maddie a few times, and Lucy is sort of similar to Lauren in their aspects but not really in most. It was a hard day. 

Ms Munro put me in the spot of the girl whose always gone. It made sense, but it different, but I didn’t fight it even though I would have known Nicole’s spot the most out of all the available. This is the plight of the cover. We have to be ready, do our best, and make it happen. Hannah did really well at it, I thought. Especially for the role being so new. I felt really insecure about a few places, but did the best I could. I want to work on them and think through them more this week. It’s the part that I didn’t do as most of the people I’ve covered, so I’m sure I just look like an idiot. But oh well. The other girls are helpful in giving cues and telling me things I need to fix after, so that’s nice. Especially to not be told as its happening where it throws me off, but to tell me after when my head is more clear. 

I remembered more of hunts woman than I thought I would. Of course I had the help of the other girls. We still have a bit more to learn in that scene, but everything else is done. 

This rehearsal hit me hard physically. I think I’m slightly dehydrated and the fact I kept getting sick earlier didn’t help. 

I found pictures earlier this week from 7 years ago of the one time I went to New York City for like, six hours. My sister had flown up to help me drive back to Texas from Delaware and we decided to take a small detour to New Jersey to see a friends of hers (and now a friend of mine) and she offered to take us to the City. She has a friend who is on Broadway and we met up with him and he showed us around. It was pretty cool. He was a great, super chill, hilarious guy. Casually telling us about his auditions he had coming up for a show on cbs and other tv stations and Broadway shows. He stopped for the ice cream truck and was happy as a five year old on Christmas morning. The city was beautiful and I hardly knew anything about photography then. 

I decided to look up our City friend, though he had long unfriended me on Facebook. (Can’t really blame him. He doesn’t really know me and, let’s be real, you can google the guy.) 

He’s had a few solid roles, but mostly he has understudied. Then I saw he had a girl friend, who is currently the understudy of a big name show that’s on right now. And it was still enough to impress my Broadway nerd friends, that I was shown around the city by this girls boyfriend. 

And I realized. 

They’re mainly covers themselves. Does that make them any less amazing or talented? Not at all. Are they still a vital part of the show, even if they are just “ensemble”? Absolutely. Can they still say, “look, Ma, I’m on Broadway!” Of course. 

I scrolled through their pictures and saw how happy they were, even being “just” covers. I also saw how there were occasions that they got to do the role. There were also stories of crazy changes last minute throwing them into something they never knew and had to know in no time at all and they were successful with it. 

And today I looked out at all the younger dancers and moms. They didn’t see me as “just a cover” or whatever. They saw me as the character I happened to be bringing to life at that time. 

And that made me feel really good. 

I can’t let myself get worked up over what may or may not be the opinions of peers. I can only do the best I can to be my best version of myself. To be kind and get done what I need to. To be responsible. There’s no sense getting upset about one thing when you’re supposed to have your mind focusing on something else. Like Mrs Hooper says, stiff upper lip and you can let yourself feel it later. Stay “on.” Do your best. Stay focused and do what’s required of you. 

I have a quote I’ve heard before written in my dads handwriting above my bed.  

 
I found it while moving and kept it. I respect my dad so much, and knowing this was something that caught his attention, I knew I should pay attention too. 

And I thought of it today as I finished act II of swans and went into act III, which is my act with the least amount of effort. 

I need to do what I can, with what I have, where I am.

The rest will follow. Life has a funny way or working things out. And no matter what happens I decide how these days are lived. I decide what attitude I have towards it. 

It’s really nice having people behind me, encouraging me, and supporting me. No matter what happens, that’s something I can be proud of. 

   
 

Week Off.

This weekend was an interesting one as far as rehearsals go. 

We had our first 8 hour rehearsal on Saturday, mostly for swans, but the other bit being for Act III. We had I think three or four girls out for rehearsal, which really wasn’t bad considering it was the first day of spring break for most of the school kids. The girls that were gone the week before were almost all there, so they were able to learn what was missed and we were also able to finish swans altogether. 

The girl who has missed almost all of the rehearsals wasn’t there again (she was the almost from the sentence before this) and Ms Munro switched me with the girl who was covering her. Neither of us had ever done the role we were now assigned to, so we gave each other a crash course and did the best we could. I made a hot mess of myself the first run through, trying to figure out where she was in order, but thankfully the girls near were very helpful and I was better the second run through. My ankle is still a bit tender, and I wish I knew what to do to help it, but I made it through rehearsal alright, just stayed off pointe for the day since I knew we’d have this week off of classes. 

All in all rehearsal went well. If they expect to teach the girl whose always missing everything she doesn’t know, I don’t know how they’ll do it because it is a lot to learn. I tried going over what the girl I had been covering for two weeks before rehearsal and hardly got halfway through. Even then, she was very confused. It’s more than just doing some moves. It’s the beat of the movement, it’s the accent, it’s the head placement, it’s the arm specifications, it’s the specific blocking of the movement. It’s all these things and more, not to mention working with the other girls around you. How do you expect to be part of a corps if you’re not there to know how the rest of the corps moves? 

That whole situation is out of my hands, so I try not to think about it too much. 

For Act III, I’m a Court Lady. We have these giant hoop skirts that don’t allow much movement, so it’s more of a mime sort of role. We stand there and look pretty and give expression. So that rehearsal was fine. Actually, I found the hardest part to be the standing. Since my right leg is longer, just standing there hurts my right side. It’s easier when we’re moving because the weight is typically on one leg or the other. 

Sunday we got more progress on Act I, where I am a Hunts Woman. This is the role I was given that has some sort of dancing in it. It’s not complex, though simple things are what I seem to mess up the most. There are just a ton of people involved in the Act, since it has all the villagers in it as well. I wrote down as much as I could of the blocking and choreography, so hopefully I remember it all come this next Sunday. I get gotten after more for this role than I do in swans, and I get gotten after in swans. Haha! 

We haven’t had classes this week since most of the schools are on break, and I took advantage of the last two days to not dance. 

Which sucked. 

And was hard. 

And I should probably take the rest of the week, but my body is angry for doing nothing. My back started hurting, and my stomach has been getting sick. Not to mention how sore my muscles all are. I’m dog sitting today, so I decided to do a bit of my own barre, just to do something. Also to sort of ease my ankle back into movement, since Sunday I have to go full out again. The dog decided this was prime time to mosey around, walking–and then stalling–between my legs so I couldn’t move, then parking it right by my face when I was doing crunches. 

Usually I hate crunches, but they have this rug that I swear is a slice of the fluffiest whatever you’ve ever felt. 

  
This house also has a really deep bath tub, so I’m finally able to soak my ankle. I’m hoping it helps, though I don’t really know what soaking actually does. But whatever. I’ll go with the professional recommendation. 

Here’s a time lapse of the barre I did. Please excuse the beginning. I don’t have iMovie on my phone yet and it won’t let me download it without wifi. Haha, the struggle. 

  And for kicks, here’s a terrible quality picture of Annabelle, the dog I’m watching. She’s a hoot. And currently snoring 😀

Ugly Ducklings.

As I’ve mentioned before, the other covers and I decided to form a squad to help us get through the fact that we’re all a bit disappointed to not be swans. We’re getting shirts made, and I told them we’d have a sleepover at my house all together.  

We had picked tonight as the Ugly Duckling night, but a few girls couldn’t stay over so we decided to see a movie that way whoever couldn’t stay over could still be a part. Turns out no one could stay over, so the movie was a great idea, haha! We also invited Ileana and Emerson, as our voted and elected mascots. When we planned the Ugly Duckling day, it felt weird not having them a part of it. They’ve been nothing but supportive and inclusive to us the whole time, they never make us feel lesser. They’re our friends. We’re proud of them and they’re proud of us. 

Emerson was able to meet me at the studio to ride with me, but before that she helped me with the baby class I usually assist with. Mia, whose the teacher, had to sub the class in the other studio so I taught ours tonight. It was so helpful having Emerson as one of the more rambunctious kids was there. Overall it went well, and we had a great time. They’re such a hilarious group, and really help remind you of why you love to dance. To them, you’re the greatest dancer in the world. And they’ll tell you. (Especially when they want to be the line leader, haha!)

Turns out Isabel couldn’t make it, but the rest of us could. We saw Zootopia, which I had seen previews for but wasn’t really sure what the story line was. I knew it had animals, and sloths, and would be a safe bet for the younger girls as well as one the losers would enjoy. 

Turns out, it was the perfect Ugly Duckling movie. 

It was all about being told you’ll never be able to be what you dream, but that if you work hard and never give up it will be worth it. 

We got into the theater a bit late, due to the long popcorn line, so finding six seats together was difficult. We found three and we’re gonna split us up three and three, but then a nice couple moved over to make four and we fit 6 of us in the four chairs–quite comfortably I might add. Perks of being dancers I guess, haha!

Overall we had such a fun time. I was so glad we were all able to have this time together. These girls are what make Swan Lake for me, and I can never express how much I appreciate them. 

We also ran into a few other people from the studio, which was fun. 

Life has been crazy and stressful and hectic, but tonight had me smiling til my face hurt. For no real reason other than being around these girls makes me so happy. I found myself still smiling when I was half way home. (Ya know, 20 minutes after I left them.) 

We didn’t get together and complain about the injustice. It wasn’t weird having the two swan “mascots” among us. It was just a fun time with our friends. And I don’t think I’ll ever be able to express how much tonight meant to me. 

These girls are what it’s about. Doing what you love, with who you love, simply because you love it. Supporting each other no matter the outcome. These are my cheerleaders, my support system. I have others as well, but these have a truly special place in my heart since we have been together since I came to this studio. I’ve watched them grow as dancers and as people (and, let’s face it, they’re getting  taller too) and I’m so proud of what I see. 

They make this whole experience worth it. 

(Thanks, girls. I love you so much.) 

  
My ducks 🙂 

Skipping class. 

I did something to my ankle in class on Monday. It doesn’t seem to be too major–landed a jump wrong or something. Maybe that mixed with overuse–and didn’t start hurting until I got home. It hasn’t let up so I skipped class yesterday to rest it. 

As I sat there with my leg iced and elevated, I put on the vinyl I got in Austin of the entire ballet of Don Quiote. 

Once that finished, I had another vinyl of a collection of works by a composer that included Nutcracker music, as well as Sleeping Beauty. 

I sat there, listening to it all, snap chatting my relations. Because I am trash. 😂

My ankle feels the same today, so I’m debating sitting out class again. I want to go, especially considering next week the studio is closed for spring break, but I don’t want to screw myself over by not resting my ankle. We have a long rehearsal Saturday, and I want to be up to par for that. The struggle. 

The mailman came by through the terrible rain we have right now (my favorite kind!) and delivered this 

  
  
I got it on eBay from these wonderful people. And now all I want to do is go home and put it on. 

Because I am ballet trash. Haha! 

But really it makes me feel better. It’s odd, because this ballet has been so painful for me, but feeling so deeply makes it almost easier to handle. Which makes no sense except that it does. At least I know I’m still alive, that I’m human, that I still feel and haven’t become numb to the world or to the thing I love to do the most. So while putting on the music may be painful, it is a kind of pain I want to feel. 

People

I had to leave church early to get to rehearsal, then went straight back after rehearsal for our building dedication. 

There’s a missions conference that’s been happening this weekend, of which I have missed most. But the missionary who spoke this morning made a good point. 

He’s a very real person, and he preaches along those lines. He’s been to some very dangerous places, and places he never expected to be–after all he didn’t think he’d be a missionary. He was a pastor. Shut down his church. Moved to Africa to open a bible school. But he’s obedient and spoke of how God fulfills His promises when we’re obedient. 

He doesn’t worry about being politically correct. He said “freaking” which could ruffle some feathers, but he didn’t care. He’s one of my favorites. 

Anyway, at one point he was talking about something God spoke to him when he was in the Ukraine, surrounded by the mafia. That the relationship God had with Jesus when He was a man is the kind of relationship God wants to have with us. That we are the ones who put the limitations on. He said that God isn’t doing all these amazing things (he began talking about the universe and how much more vast it is that they have discovered over the years.) just to prove to us that He’s awesome. He did it so we would want to get to know Him. So that we would see, and realize that He is HUGE and can do big things. That we would realize this relationship He wants to have with us, and in that realize this is all about people. 

It’s about God, and how good He is–yes, but it’s about people. God wants to know us. He wants to be so close with us. 

(Here’s the point of all that in relation to ballet)

I stood in rehearsal today, for my 20 second part in this ballet that I’ve worked so hard on thus far for a part I’ll probably never get to dance. 

I thought about how many people have told me how upset they are at this. 

I thought of how many people told me that I’m a good dancer, which is really nice because the casting can make me think that I didn’t get roles like my peers because I’m not good enough. But. That’s not necessarily the case. They help me see that. To not give up.

I thought of how Ms Munro complimented me at warm up yesterday and today. (Today being a warm up primarily made up of advanced girls) and I thought of how I’m still not this role in working hard for. 

And I thought of where I am and how this ballet plays into my story. And how in the world I’m gonna get through the rest of the season if it’s this hard already. 

And then one of my babies (okay she’s as tall as me, but still my baby) just hugged me. She is one of the sweetest souls I have ever met, and really she changes this whole experience for me from painful to having good memories.

I thought of the people who have encouraged me with this, most without even being provoked. 

And then we started learning our 20 second bit and my group of girls I’m usually in the same role as, but this time ended up not being (which honestly is hard. It makes me feel left out, even though I understand I am tall. And fit the costume. And it’s fine. I miss them) and they all cheered for me, like I was the greatest dancer. And it just made me feel good. 

And I realized that pastor, missionary man was right. 

This is all about people. 

It’s about being together. It’s about encouraging each other. It’s about being there for each other. It’s about the experience as a whole and getting through it together. 

The roles are nice. It’s nice to be recognized for your hard work. But. That’s not everything. 

It’s the memories were making and being in this together. 

So my phone is dying and I’m just gonna end this post there. But realize, whatever life hands you when it’s favorable or not, it’s about the people more than it’s about what you see on the surface. 

   
 
(Ms m thought there was a bug and was wondering what I was looking at. 😂)

Perspective

I had a conversation with a dear friend of mine that started with informing her of the success of the harder shanks in the pointe shoes.

And honestly, now I have a seemingly new-found perspective, as well as a figurative weight off my shoulders.

Which is silly, because I kinda knew all this before.
It just put it all back into focus for me and really made me realize something.
Mainly, that she was right.

She was right about me needing a harder shank, even when I’m told by others that having a harder shank is a cop-out for people with weak feet.
She was right about my alignment being a little funky and was able to guide me in how to correct it.
She was right about how to use teaching styles that are effective. (The proof is in the pudding.)
So many other things that all have the same connecting factor;
She was right.

So if her track record is one of being right, then I know that she’s right in what our conversation held today.
Which is more than I’m going to divulge here, but what I really take away is this:

I am my own person. I am the product of the hard work and effort I put into to my technique. I can choose to either learn from people offering to help make me a better dancer, or I can throw it all out the window. I can choose to ask questions and learn, or I can putz through in fear. I am not the studio or company I dance for. I am not any lesser or any better because of roles I do or do not get.

And no matter what things look like now, nothing is guaranteed to stay the same.
I don’t know what my life holds for me next year. I don’t know what decisions people around me are going to make that are going to affect me. I can’t count on that. I have to make decisions for myself and what is best for me. I need to keep an open mind and realize that if something isn’t working out, I have the power to change it. One way or another.

So yeah, Swan Lake sucks right now. It’s hard and it leaves me crying every weekend because there is just so much that doesn’t make sense. But there’s parts I can change and parts I can’t. And the parts I can are up to me. I can make the most of what I’ve been given and get through the best I am able. Or I can complain about the things I can’t change, sit around and pout or be bitter or not work hard because it’s “not fair.” Okay, it may not be fair. But that’s something I can’t change. I fear I’ve done all I can do, and that isn’t something I fear for myself, but for the whole.
But I am more than Swan Lake. Even if it puts an unfair amount of strain on me. Even if it leaves me completely frustrated and embarrassed. Even if it leaves me with commitments difficult to keep because of how the “cards fell.” Whatever. Gotta just deal with it and keep trucking, and evaluate things and make decisions from there.
For me.

In the mean time, I can utilize every second given to me in that studio to become a better dancer. I can be so good they can’t ignore me–not necessarily in the sense of being compared to others, but compared to myself. Think about it; if someone is a mediocre dancer in class, and all of a sudden they start caring and trying and working hard, the teacher can’t help but notice.

I want to be that.

What they do with it is up to them.

And from that, I decide what to do with my life; with my art; with my career; with my story.

And that is completely up to me.

I shouldn’t set my goals with such a narrow depth of field. I shouldn’t set them in things that are out of my control. I should set my goals and dreams in things that I can handle and things that I can logically work for. If not, I’ll just continuously get let down time and time again, and for what? It’s not that I wasn’t capable or this or that or the other. Who knows why? I sure don’t. But the point is, it’s out of my hands.
Now my goals are going to be with me in mind. They’re going to be something tangible. They’re going to be logical.

  • I want to be able to consistently do doubles. In flat shoes, and eventually in pointe shoes.
  • I want my jetes to actually, ya know, get off the ground.
  • I want to master chaines.
  • I want to learn the different names for all the placements–arms, hips,  everything.
  • I want my arabesque to be above 90 degrees when I’m not trying.
  • I want to figure out how to beat my jumps, even though jumping is bad for my knees…
  • I want to learn these new, complex moves.
  • I want to continuously improve, blowing my old records out of the water.
  • I want to leave class knowing I was the best version of myself.

I know this isn’t something I can make a career out of. I’m twenty-seven. This will be nothing more than just for the hell of it. And I should try my best. But I have to realize that there are limitations simply because I’m not in high school, or my back is jacked up, or politics, or whatever.

But I shouldn’t let that keep me from doing what I love for as long as I want to and am able to do it.

My wish is that things would improve to where injustices aren’t a thing anymore. But judging by track record, that doesn’t seem to be logical.

And I can’t let that hold me back.

Let’s try it. 

Yesterday started off not much better than the day before. My brain was fuzzy and I felt out of my depth. I know it’s the 6 class and many people say I’m more than capable, but yesterday I was feeling my 5.

There were bits I was terrified over but still tried. So that was something at least. I don’t know that I would say I was successful, but I was definitely more successful than having never tried at all.

There was a point when I panicked. And it was stupid. But I was embarrassed and just didn’t have it in me to fully wrap my brain around what was happening, what was being asked of me, and I knew I looked like a fool doing it. Thankfully, Julie is good at recognizing when to push and when to pull back and she pushed until she needed to pull back so I didn’t completely fall apart. (Although I did fall apart more than I would have liked. And felt a prime idiot more than I prefer.) (yay for comfort zones being demolished?) (or something)

After ballet was over, I went into the small studio to break in my new shoes. I waited until then to do it instead of breaking them in in class because I wanted to make sure it was done properly. These are experimental shoes, and I want to give them every bit of a real chance as I can.

They’re the same shoe, just with a harder shank. The hardest Capezio makes, actually. I had the hardest shank before, but now they’ve started making an even harder shank, so Amanda from Capezio in Austin told me about it and I figured I’d give it a shot. They came in, I sewed them that day, and waited for d-day. (So to speak)

I was nervous, so say the least. After the Gaynors bombed because of sizing, I was afraid these wouldn’t be any better and I’d just have to make my old shoes work best I knew how. Which they aren’t terrible. But it seemed something was missing.

I put them on, did a few things to help the arch so they wouldn’t snap, then I rolled up.

I’d say my biggest fear was that they’d be too hard. That I wouldn’t be able to get over my box and it would be so defeating. That I would find myself with the opposite problem of what I had before, and would have to find a way to make it work.

But that didn’t happen.

Instead, they seemed to mold to my arch, getting me over my box but not too far. Just enough to do what I need but give me room to work harder. If that makes sense? Anyway.

I went into the office and asked Ms. Munro what she thought. Sometimes people think they need hard shanks but are really just fooling themselves. I didn’t want to be that person. So she had me do typical bit of standing in first, then pushing through the instep, then straightening while trying to stay far over the box. Afterwards she said, “those look great!” And we talked about how people who have naturally higher arches need a harder shank. Which I’ve been told I have, but never really realized it I guess.

So the shoes are a go. Approved by Ms M, and feel great. I went back in the studio and worked a bit more. I did a few of the things to help me lift out of my shoe and then I decided to try a pirouette to see what would happen.

Wouldn’t you know it, it improved substantially.

I was able to hold the position a bit longer, it felt more stable, I was able to fully get around and roll through like a champ. I was on cloud nine.

So I tried an en dedan. And I got around with my leg not even to the front where it needed to be. So I fixed it and it was quite a decent turn. Still better on one side versus the other but that’s typical. I went back to regular pirouettes and the first one I tried was so solid if I would have gotten a bit more force it could have been a double. What. The. Heck. So then I tried a double and completely bombed it because I was thinking too hard so I just laughed at myself.

I worked on chaines and piques and was successful with both, though they need work. I felt like what I see other girls look like. That this must be what it feels like for them in class.

More importantly, I felt hope.

Which is something that has seemed to be in short supply recently. It gave me a bright point among all the stormy clouds that have been keeping me company. Sure things still suck, but at least I have something to help me through.

I’m grateful, for sure, and emailed Amanda from the studio letting her know she’s my hero and asking to order the next pair of magic shoes. I wish I could order more at once, but these bad boys run about $120 each. Sucks to go through them so quickly.

Oh well. It’s worth it to me.


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